54. Esposizione Internazionale d’Arte “la Biennale di Venezia”.

A series of fresco-like panels, the work Relationship, stretching from floor-till-roof in the inner courtyard of the Palazzo refers further to Tamara Kvesitadze’s modes of artistic thought, its subtracted singularities and its planetary worlds to be designed.
Yet, Relationship shows that those worlds involve the dream of different communities based on novel forms of singularity.